​_Hello Hello_ came pouring out of a desire to make a vulnerable and honest dance. I was frustrated by the feeling that craft and training had formed a film between my inner self and the lived moment of dancing: I decided to rip it all away. Screw composition, screw concept, screw imagery. Screw the impressive, the convincing, the intentionally-loose-but-thematically-nailed-down. Instead awareness, desire and emotion led me here. To a dance of sensitizing, tapping into myself and opening my sensing system to my environment. A dance of opening and reopening, attempting and reattempting, introducing and reintroducing and the time/space between. _Hello Hello_ is a way for me to try to really meet [myself, you, the moment] unguarded.